Johan van der Keuken, "De Nieuwe IJstijd," 1974.
Photo: Chris Brouwer.
Johan van der Keuken /
Up to the light. Filmmaker and photographer
March 30–June 9, 2013
EYE
IJpromenade 1, 1031 KT Amsterdam
The Netherlands
Hours: daily 11–18h, Friday 11–21h
www.eyefilm.nl
From 30 March to 9 June 2013, EYE presents the exhibition Johan van der Keuken / Up to the light. Filmmaker and photographer. The exhibition's line of approach is the extraordinary way in which van der Keuken brought together contrasting images in his films and observed a world in constant transition. Always on his travels but also close to home, van der Keuken intercut his observations in Africa, Asia or Latin America with similar or indeed diametrically opposed situations. The exhibition also shows that van der Keuken was one of the first filmmakers to attempt a cinematic translation of time into space.
Johan van der Keuken (1938–2001) was a man with a remarkable double talent, who filmed with a photographer's eye and shot photographs with the eye of a filmmaker. EYE is showing his films and a large number of photographic works and offers insight into how van der Keuken made his films. Van der Keuken built up an artistically interesting and socially engaged body of work, which demonstrates a clear consistency in form and content. Always on his travels but also close to home, van der Keuken intercut his observations in Africa, Asia or Latin America with similar or indeed diametrically opposed images or situations. On large freestanding screens, the exhibition shows how van der Keuken combined different sequences into a single film and how he allows different images to contrast with each other.
His method, which is already apparent in the cinematic portraits he made of artists such as Lucebert and Tajiri in the early sixties, has a visually powerful and artistically provocative character. Johan van der Keuken / Up to the light also shows that van der Keuken was one of the first filmmakers to attempt a cinematic translation of time into space. The simultaneity of images is one of the exhibition's points of departure.
Van der Keuken presented important or indeed trivial everyday events from various angles, aware of the fact that a single image of reality doesn't exist. Towards the end of his life he became increasingly interested in how his films and photographs relate to the space in which they are shown. The spatial exhibition in EYE is a continuation of this.
Accompanying film programme
The exhibition on Johan van der Keuken, the first solo exhibition of a Dutch filmmaker in EYE, is accompanied by the screening of van der Keuken's most important films.
Biography
Johan van der Keuken (Amsterdam, 1938–2001) studied at the Parisian film academy, the IDHEC (Institut des Hauts Etudes Cinématographiques) from 1956 to 1958, after which he worked concurrently and alternately as photographer and filmmaker. He published his first photographic book at the age of 17. Van der Keuken made about one or two films per year since the fifties, which ultimately resulted in an oeuvre of more than 50 films. After the political engagement of the seventies, in the nineties van der Keuken became increasingly interested in form, but his films have also always remained an analysis of society. With grand, but also small cinematic gestures, he was able to link a city such as Amsterdam to the fate of the entire world, as in his best-known film Amsterdam, Global Village.
His innovative work has always been held in high esteem, particularly in France, Germany and Italy, but he also eventually received recognition in the Netherlands. His entire film oeuvre is included in the EYE archive and his photographic collection was acquired by the Parisian museum of photography, the Maison Européenne de la Photographie. In 1988 he received the Dutch Culture Award for his lifetime work, and in 2000 he was presented the Bert Haanstra Oeuvre Prize, the highest award for a Dutch filmmaker.
Posts
No comments: